In 2004 Joe Goode began work on a group of paintings that re-examined his past work. Each oil painting featured a photograph affixed to the face, which represented every major series he had produced to date. Goode then used a gas torch to burn holes in the completed piece, which when hung, cast haunting shadows on the wall beneath. After a year’s work, this body had grown to around 40 pieces. These paintings were destroyed in a fire in Goode’s studio in 2005.
From this fire, Goode created three new bodies of work. These series marks important changes in Goode artistic process – using the photograph as a means for making larger paintings, and the last time Goode would use oil paint, and the first time, at age 68, he would use acrylic.
Over the years, Joe Goode has combined various traditional and non-traditional media in the creation of his artwork. He has explored images which project a way of seeing ‘in and out’ and ‘up and down’ as well as things that can be seen through: milk bottles, oceans, waterfalls, clouds and torn skies. While his subject matter has remained relatively consistent over the years, he has revisited each theme using different media, aiding him in finding unique ways in which he continues to work
 2006 While Venice Sleeps III ...2006mm 40
 2007 J & E Diptych #2
 2008 Birthdays
 2008 Glass House
 2008 Lichen Language
 2008 Michael
 2008 Milk Bottle Behind the Scenes
 2008 Stage Fright
 2008 Studies from the Past 12
 2008 Studies of the Past 9
 2008 Studies of the Past 35
 2008 Studies of the Past 33
 2008 Two Tomato
 2009 Featured Milk Bottle 04
 2009 Milk Bottle Sculpture 08
 2009 Milk Bottle Sculpture 15


















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