Zayt Bagrist/Welcome

This blog is 100% unaffiliated with Cosmopolitan Magazine. I apologize if a google search has brought you here in search of 101 bedroom tips and the secrets he wishes you REALLY knew. Here's a tip, though, before you leave- if he insists on taking his hearing aid out before you get romantic, scream "THAT WAS GEVALDIG" in his ear. It really lets him know you're having fun.

Thursday, November 05, 2009

Goldene Keytn

(A new feature of links to articles that caught my eye.)

File this one under nice press for the Workmen's Circle/ארבעטער רינג. The Jewish Press has an article about the WC shules (schools), especially the Long Island branch.

The article was only marred at the end, with a strangely underminery quote from a Rabbi at a competing secular congregation, the City Congregation of Humanistic Judaism. He is quoted as saying about the WC shule: “It’s better than nothing..." Alrighty then...

File this next one under hack journalism that the Forward should be above. Devra Ferst writes a review of Janet Perr's Yiddish for Babies. This is the follow-up to her Yiddish for Dogs.

I fear that floating out there somewhere is some kind of style manual for lazy journalists who write articles about Yiddish. I've seen this formula so many times, it's hard to get outraged.

1. Think of all the yiddish words you know. Make a list. It shouldn't take long.

2. Work at least one or 2 into the title of the article, whether they fit or not.

3. Sprinkle liberally throughout the article, without regard to context or tone.

4. Make sure you turn off the critical thinking lobe of your brain that might compel you to criticize the concept, motivation or execution of the product you're reviewing. Remember, it's Yiddish- no one knows the difference.

5. Invoke at least 2 or 3 memes of the Yiddish Atlantis. Here it's
-Yiddish is dying
-only Bubbes and Zeydes (grandparents) speak or can teach Yiddish
-Yiddish needs to be revived through the medium of novelty books written by ameratsem/עם-האָרצים.
-Yiddish is funny.

If Yiddish is so funny WHY THE FUCK AM I NOT LAUGHING?

Ha ha, just kidding. I'm laughing. To keep from crying.

UPDATE: I often feel I'm alone with my relatively small cadre of Yiddish lovers, despairing of the way that Yiddish is used and abused in the Jewish mainstream. I see books like Yiddish for Babies getting published and I weep. BUT, around the web there is something like a backlash against this crap, and even non-Yiddishists are calling this out for what it is- an insult against the Jewish people.

Tuesday, October 27, 2009

Be a Mentsh and Celebrate the Publication of Michael Wex's New Book (with Michael Wex!)

Come out to the launch of How to Be a Mentsh (and Not a Shmuck)

Tuesday October 27 2009 at 6.30pm

The Workmen’s Circle: 45 East 33rd Street, New York, NY 10016

Khanike, Xmas and Festivus are right around the corner. Get autographed copies of the book and turn your favorite shmuck into a real mentsh!

See you there!

Monday, October 26, 2009

Rumination on the legitimacy of denominational Judaism

There's been a fascinating discussion (first time in ages) over at Jewschool sparked by a Forward piece by Ben Dreyfus. The piece is about shifting the way that 'liberal Jews' see themselves. BZ (his Jewschool handle) would like liberal Jews to stop seeing themselves in comparison to the 'authentic' Judaism of Orthodoxy and instead start seeing themselves positively, as practitioners of liberal Judaism.

For me, the argument is ultimately about the legitimacy of Reform Judaism (and Conservative as well, though because BZ is a partisan of Reform Judaism, that's where his focus is) as an authentic expression of Judaism.

The argument tends to get terribly obscure because the way Reform Judaism was envisioned and the way that Reform Judaism is practiced today are totally different beasts. More different than that, one is an animal, one is a mineral. On different planets. In different universes.

So, some people end up arguing for Reform, the ideal, and many others end up dissing the lived experience of Reform (watered down, minimalistic Judaism lite). It's frustrating that so much of the conversation gets muddied in this way. BZ knows what he's talking about when he champions an educated, literate, engaged Reform community. He's a product of such a community and literal royalty within the Reform movement. However, based on their exposure to the reality of American Reform Judaism, many, many of his readers make a 'pfff' sound upon encountering such an argument.

What I'm interested in is the particular ways we talk about denominational Judaism and its authenticity. The creation of post-Temple, Rabbinic, Talmudically based Judaism is often invoked as a way of legitimating the creation of liberal, denominational Judaism. The argument is- Judaism has undergone massive, fundamental changes in order to survive, and it can do so again.

Just two examples from the comments section of the blog post on Jewschool, comments made by a very smart, educated set of young Jews.

Commenter themicah writes


"...Jewish philosophy and law have been codified through the ages in many different forms to adapt to the world around the Jewish communities doing the codification. When the Temple was destroyed, Judaism abandoned sacrifice, but we don’t refer to today’s Orthodox Jews as “unobservant” for failing to follow Temple era norms.

The last couple centuries have seen explosions in secular knowledge (some of which directly challenges assumptions on which Orthodoxy rests) and in Jews’ ability to freely participate in the secular world, so it is no surprise that forms of Judaism have developed to adapt to today’s environment. And while those new forms may be different (in some cases, radically so) from the diversity of Judaism that existed before them, those differences do not make them 'lesser.'...



And BZ, the writer of the original Op-Ed comments:

"If evolution over time is a sign of deviation, then the Karaites are the most “observant”, and the rest of us are all deviants. Of course, the Orthodox party line is that the Oral Torah was all there to begin with, and the Reform party line is (or should be) that evolution over time is part of the normative Jewish narrative. But there’s no way to argue these points objectively without running into the grue-bleen paradox. We each have frames that dictate which changes (or lack of changes) are normative, and which changes (or lack of changes) are deviations from the norm. And we should use our own frames."


I have a problem with both of these uses of historical precedent to legitimate modern developments. There's the subtle suggestion here that the creation of Rabbinic/Talmudic Judaism was just one of many earth-shaking evolutions of Judaism that were ultimately adopted by all Jews and thus legitimate. But... really? It seems to me, that was it. The Temple was destroyed, we replaced Temple sacrifice with prayer, we wrote down the Oral Law, and Judaism as we know it today was created. One seismic event does not create a tradition of radical evolution.

The modern desire to encourage halakhic evolution on such a radical level, and to so radically change our position with regards to halakhah, gnaws at me. The creation of Rabbinic Judaism was prompted by the destruction of the Temple, the loss of Jerusalem and a Jewish nation state. There was no going back and the entirety of the Jewish people had no choice but to move forward and adapt. I might even say that the final destruction of the Temple gave the Jews a mandate to create a new, yet contiguous, way of living Jewishly.

On the other hand, our encounter with modernity, with the Haskalah and the Enlightenment, with Universalism and Western Humanism, happened in bits and pieces over hundreds of years, in many places. And it IS this encounter with modernity that created what we know as denominationalism, starting with the Reform movement in Germany. Is it possible to compare the two crisis points, the destruction of the Temple and the encounter with Modernity? Do we have the same mandate as existed two thousand years ago?

I'm growing increasingly (and surprisingly) resistant to frameworks of 'liberal Judaism'. What about you?




Part 2 coming soon.

Tuesday, August 04, 2009

If I am Jewish should I learn Yiddish?

Part of a new series in which I, or a guest blogger, will attempt to answer some of the more interesting google queries by which my readers have arrived at this sweet blogg o'mine. And no, "jewish women hair" and "hot jewish fucking" are not in the form of a question. Today's guest blogger is Yisroel Bass, who can be found around the city raising the Yiddish rabble, as well as blogging at The Youth Will Sleep No Longer. Enjoy!

If I am Jewish should I learn Yiddish?

By Yisroel Bass


This was the question posed by one curious web-surfer last week to find this very blog. It goes without saying that such a question deserves a direct answer. Simply put the answer shared by both Rokhl and I is yes (or in her words “fuck yea”). But such an answer is lacking without further depth.





Yiddish makes its way to the student in varying forms, depending on who the student in fact is. The categorization “Jewish” is an umbrella term that can encompass a wide array of people from varying ends of the earth with different levels of connection to statues of religious/national matters. Casting aside the issue of non-Jews learning Yiddish, for Jews there are two different reasons for why one should learn Yiddish. For the Jew without a personal or familial connection to the Yiddish nation of the Jewish people (i.e. Arab, Sephardic, etc.) he or she should learn Yiddish in order to widen his or her intra-cultural literacy. The treasures that Yiddish holds for all of our people are simply undeniable.

For the Jew with a personal/familial connection to Yiddish, the reasons for learning Yiddish exist are much greater. Such a Jew must not approach Yiddish as a “foreign language”. No, in fact Yiddish is yours and you are Yiddish. Much more than just a language, Yiddish is an entity that demands your participation. Learning Yiddish is not an end. A Jew will never reach “proficiency” unless s/he lives up to his/her responsibility to create, live and breath Yiddish nationhood, for proficiency is unattainable without the existence of a tangible and active community. Other nations have the advantage (or disadvantage depending on personal politics) of a state and land to preserve their language(s) and culture(s). Yiddish is without such advantages; without an army or navy. Alas! Yiddish is defenseless against the onslaught of assimilation and the negation of the Diaspora without the conviction, union, and participation of those who speak it and those who are it.

Learning Yiddish is undeniably a must for Jews of all backgrounds. However, the burden or responsibility lies heavily on those of Yiddish decent with direct connection to its folkways and words. These Jews must not only learn Yiddish but in doing so be aware that they are rejoining the ranks of a once proud nation that is now making exacting demands on its citizenry, most pointedly to rebuild the Yiddish nation beyond the highest echelon of its former glory.

Tuesday, February 10, 2009

In memory: Blossom Dearie

I was a fan, even before I knew who she was, courtesy of my high school (!) obsession with Animaniacs.



and the tribute:


(apologies for the poor quality, it was the best I could find)

and hat tip to Wex for hipping me to the original all those years ago...

Tuesday, January 13, 2009

Me and Yossi Piamenta

I went to the Oyhoo shmoozfests this morning. The best part was that the "art burst" (ugh, what an annoying term) after the morning panels was YOSSI PIAMENTA! Yossi is a totally awesome older guy in a colorful bukharan kippa and a big gray beard. The drummer was about 15 (and looked like Menachem Yankl's Israeli cousin) dressed in jeans and a hoody. The bass player also looked like someone I can't put my finger on. There was another guy on stage fiddling around before they started. Unlike the others, he was wearing frum gear- black pants, white shirt and reflective porn star shades.





I assumed he was the roadie. Then he started singing and Yossi introduced him as his son. D'oh!

Afterwards I insisted to Mordy that I had to get a picture of me and Yossi, at which point I turned into a gushing fan girl and now the whole world (including Yossi) knows about my guilty love of hasidic disco. Thanks to one of the band members, I won't say who, Mordy and I now know which Piamenta CD is the best to get stoned to. (Although I suspect they say that to move more product. Can any musicians reading this weigh in???)


Also, note that I'm standing extremely close but totally restraining myself and not hugging him in respect for his frumkeyt. Although I 'wooooed' really loudly after every son in total disregard of kol isha.

Wednesday, December 31, 2008

happy new year

Monday, November 24, 2008

Why should the Forward get all the controversy?

Ran into my friend Eli Valley at Sunday's Jewish Hands Across the World (even Iran) Save-In. Once again I wondered when Eli is going to contribute to Jewish Currents. Then I had to give him a high 5 for his latest cartoon in the Forward.

In it, Eli takes on the shudderful bedfellowship of some American (and Israeli) Zionists with the fundamentalist Christian right. He alleges, in his characteristically subtle style, that the agendas of the two groups are so different as to be funny. Indeed, Valley wrings wry laughs and even guffaws out of the dissonance between the concerns of Christian and Jewish Zionists. Jewish Zionists, you recall, need supporters so they can live. Christian Zionists support Israel so that it will be soon consumed in a fiery battle of Armageddon in which their friends, the Jews, will be consumed and given free one-way tickets to hell. (Free!)

Some Grumpy Gus grouches have called FOUL. (Dude, they didn't even peep the exquisite detailing on Arafat's nipples.)

Pakistan Daily is SHOCKED by Eli's anti-Christianism. SHOCKED. Because, in defending Christians from vile Jews, the Pakistan Daily has absolutely NO agenda of its own.

Over at the humbly named American Thinker, Eli is taken to task for showing his bigotry toward Christians who genuinely love Jews. As Eli pointed out to me, it's a humbling experience to bring together such disparate groups in such a love-fest of righteousness. Kudos to Eli for bringing our atomized world just a little bit closer together.

Thursday, October 30, 2008

Fighting back against cancer

I just heard tonight from one of the friends I made in Vilnius, Julia Cohen. Not only is Julia stunningly beautiful, she is also a fellow overthinker.

Julia and I bonded over lunch at Double Coffee (the one on Gedymino). I told her how I have trouble enjoying myself, especially when under pressure; hence I don't like typical vacations too much. Whereupon Julia impressed the hell out of me by describing the less than stellar time she had on vacation at Yellowstone with her boyfriend. She couldn't enjoy the breathtaking scenery knowing what she did of the misogynistic, imperialistic roots of the National Park System. (She really turned me off of Teddy Roosevelt.)

Clearly, Julia is my sister from a universe with better bone structure.

The reason we were in touch tonight is because she is running a marathon to raise money for the Boston Melanoma Society. Julia was recently diagnosed with melanoma. Scary as hell. But Julia's taking action. I did too, and I donated to her run. I hope you will, too.

Tuesday, September 23, 2008

New Year, New Subscription

Elul is a time of introspection and the traditional kheshboyn hanefesh (accounting of the soul.) And I assume that any thorough accounting will probably take into account the fact that you are not already a subscriber to Jewish Currents.



Khevre, Currents is the only magazine bringing you radical Jewish history and Yiddish culture bi-monthly. But we're not just about history, we're about the future. Jewish Currents is one of the lead sponsors of the upcoming anti-war conference 'Jews Uniting to End the War and Heal America.'

We're running an Elul subscription special: from today until September 26, you can get a year subscription to Jewish Currents at the discount price of $15. Just drop a note to us (lawrencebush at earthlink.net) requesting your subscription, codeword ELUL.

See you in the funny/yiddish pages!

Tuesday, September 16, 2008

Jewish Currents September-October issue on-line

Khevre:

The September-October issue of Jewish Currents is out and we've got some of the best articles on-line. (And I'm not saying that just because mine is on-line!)

You can see my reporting from Vilnius as well as reflections by a former partisan, Sara Ginaite and... what we're all really excited about, an update on our big post-election, anti-war conference that's taking place November 23rd.

"Our magazine and its parent organization, The Workmen’s Circle, along with our ally, The Shalom Center, are seeking to break this cycle with a conference, “Jews Uniting to End the War and Heal America,” on November 23rd in New York City...Speakers include Amy Goodman of “Democracy Now,” Representative Jerrold Nadler (D-NY) [whom I have the honor of introducing!!], Michael Ratner of the Center for Constitutional Rights, Donna Lieberman of the American Civil Liberties Union, and attorney/activist Elizabeth Holtzman. Prominent leaders of mainstream Jewish organizations will also be present — which is, itself, a breakthrough."


It's going to be a great event, so put it on your calendar now!!

Monday, September 15, 2008

Jewish Currents

Thursday, September 04, 2008

In Search of Jewish Vilne

Khevre:

Check it out. While I was in Vilnius, the JTA asked me to write a first person piece about my impressions of Jewish Vilne. You can read it here on the JTA website.


Me in front of the Vilnius Jewish Community Center after it was defaced on Tishe Bov. Photo by Tobaron Waxman.

Leave a comment and tell them how much more you want to know about Vilnius and its Jewish community. (I'm working on another piece for them right now.)

Tuesday, July 01, 2008

Isabelle Adjani or Nastassja Kinski

Isabelle Adjani and Nastassja Kinski are NOT the same people. But you can understand how I got them mixed up, right?

Monday, June 30, 2008

Memes of the Yiddish Atlantis

Yiddish: A Dying Language.

Kinda says it all...

Yiddish lives in the pages of Contact!

Khevre:

Peep this- an article I wrote about Yiddish appears in the latest issue of Contact, a magazine of the Steinhardt Jewish Life Network. You have to open the pdf for the Spring 2008 issue and go to page 12.

You think Steinhardt would ever pour some of his billions into supporting Yiddish? A nekhtikn tog. But you should write a letter to the magazine anyway and tell him how much you enjoyed my perspective!

Vu bistu geveyzn

Khevre:

I've been out of the blogging game for the last two weeks while I attended the YIVO Summer Program refresher course. It was fantastic, thanks for asking. Though I still can't properly inflect in the accusative. But it ain't no thang. I'll be off to Vilne in a few weeks where my inflection will get a lot more reflection. As such.

That's all. Maybe I'll have more to say on the fact that Barney Greengrass The Sturgeon King was founded in the same year as the Czernowitz Language Conference. You'll just have to wait and see, eh?

Kids, this is what the 80s were like...

I was just sitting here, doing a little free-associating googling, when I decided to look into Laura Brannigan. Did you know that she was a Long Island girl? Or that her video for 'Self-Control' was directed by William Friedkin (director of The Exorcist)??? Even weirder, I learned that MTV originally banned the video for being too sexay. You can guess where I went next:



I guess the dude stroking the cello is a little obscene. What do you think?

Friday, June 13, 2008

Eggcreams and Eggrolls

Wow, I'm off to the Workmen's Circle NEB convention in a few minutes, but there's a bunch of great stuff happening this weekend.

Sunday afternoon head down to Eldridge Street for the annual Eggcreams and Eggrolls festival:
"Klezmer music, Chinese opera and acrobatics, language lessons, scribal art, folk art demos, crafts, tours and, of course, kosher egg rolls and egg creams! Experience a unique slice of Lower Manhattan, where Chinatown meets the old Jewish Lower East Side at our annual festival, voted the best annual block party by the Village Voice."

We all know how important the eggcream (neither egg nor cream) is to the heritage of Jewish New Yorkers. So don't miss it!

Events at the New Yiddish Rep

Two events coming up at the New Yiddish Rep downtown.

First Joel Shatzky, a longtime member of the Jewish Currents community (both as a writer and reader) will have his play, Nazi (in English) performed as a staged reading. That's Sunday.

Then on Monday, through the generosity of Benjamin and Frances Feldman, New Yiddish Rep will offer a rare screening of "Jewish Luck", a Soviet made silent based on Sholom Aleichem stories. Live piano accompaniment composed and played by Steve Sterner.

Both shows start at 7 PM, at The Community Synagogue, 325 E. 6th Street, between 1st and 2nd. For more details go here.

Check it out!

Tuesday, June 10, 2008

Wednesday, June 11- Shoot the Strudel to me, Yudel

One of the cool things about working for a magazine like Jewish Currents is that for the editors and readers of Currents, radical Jewish history isn't just history, it's a part of their lives. The editorial board of Currents is still run as a collective (of which I'm now a member), and the magazine has always been a vehicle for the voices of its readers, rather than a platform for the editorial board. If we covered labor and union issues, it was because a great part of our readership were union members- teachers, civil servants, wall paper hangers as well as union organizers and labor agitators.

Henry Foner fits into many of those aforementioned categories. He's been a high school teacher, union organizer (Joint Board, Fur, Leather and Machine Workers Union), Jewish Currents editorial board member and writer, as well as a victim of the New York State communist purges of the early 1940s.

Tomorrow, Wednesday, June 11, at 6 pm, Henry Foner will be honored for his decades of service, as well as his achievements as a songwriter and bard of the organized labor world. Taking place at the Workmen's Circle (45 East 33rd St) we will also be celebrating a new exhibit on the Labor Arts website called "Play it Again, Sam": The Lost Chords of the Labor and Progressive Movements.

Henry Foner and his colleagues young and old will be performing songs like "Shoot the Strudel to me Yudel", "Capitalist Boss" and "Song of the Pennies and Selling Union."

Wanna see Henry himself singing "Shoot the Strudel to me, Yudel"? Check it out!


Here's a wonderful bio of Henry from Tamiment Library:

Henry J. Foner (1919- ), longtime activist leader of the Joint Board, Fur, Leather and Machine Workers Union (FLM), grew up in New York, in the Williamsburg section of Brooklyn. His father had a seltzer delivery route, and later owned a garage. In high school, Foner started playing saxophone with a band at hotels in the Catskills. He also started composing comic verses, played to the tunes of popular songs. By the late 1930s, Foner had acquired an interest in history and politics from his older brothers, Moe, Philip and Jack, and began developing the commitment to progressive activism that would shape his life. After graduating from City College with a degree in Business Administration in 1939, Foner organized "Student Caravans for America," which sent groups around the country to perform puppet shows promoting an anti-war message. The puppets were made by Pete Seeger. Foner's own group had their puppets and stage destroyed by a group of vandals in Bristol, VT and had to be rescued by the local sheriff.

In 1940, Foner's three brothers were all working at City College when the Rapp-Coudert Legislative Committee-investigating Communism in New York public schools and colleges, and employing tactics that later became a template for the House Un-American Activities Committee investigations-suspended them, along with fifty other employees of New York City colleges.

At the time, Henry, who had received his substitute-teaching license in stenography and typewriting, was teaching at Samuel J. Tilden High School in Brooklyn. He had already passed all parts of the regular examination, but he was not granted that license because of an "insufficiently meritorious record" after he, too, had been questioned by the committee, and he initiated an appeal from that decision to the New York State Commissioner of Education. Meanwhile, together with two of his brothers, he helped form "The Foner Orchestra and their Suspended Swing" in mock homage to their experience, and during the summer of 1941, they played at Arrowhead Lodge in Ellenville, New York, where the post of staff comic was filled by Sam Levenson, a friend of the family who, at that time, was teaching with Henry at Tilden High School.

In the summer of 1942, Foner was drafted into the Army and assigned to the 88th Infantry Division in Camp Gruber, Oklahoma, where he rose to the rank of warrant officer. After his division entered combat in Italy, he was awarded the Legion of Merit, the Italian Military Valor Cross, "for exceptionally meritorious conduct in the performance of outstanding services." Upon returning from service in 1946, he resumed teaching, this time at Prospect Heights High School in Brooklyn, while awaiting the outcome of his appeal to the State Commissioner. During the summers of 1946, 1947, and 1948, he and his brother Jack were part of the orchestra at Arrowhead Lodge, which became the official resort of the Jefferson School of Social Science, whose faculty was made up largely of victims of the Rapp-Coudert Committee, joined by other scholars. During the summer of 1947, he met his wife; Lorraine Lieberman and they were married in March 1948.

In 1947, together with Norman Franklin, Foner co-authored a musical, "Thursdays Till Nine" that was sponsored by the Department Store Employees Union and performed by its members -- the first labor musical since "Pins and Needles," written a decade earlier for the International Ladies' Garment Worker's Union by Harold Rome. Immediately after returning from his summer employment at Arrowhead Lodge in 1948, Foner was informed that his appeal to the State Commissioner had been denied and his substitute license was withdrawn. At the time, his brother, Philip, had been writing what was to become the history of the fur and leather workers' union, and he introduced Henry to the leaders of the union, as a result of which he was hired as Educational and Welfare Director of the Joint Board Fur Dressers' and Dryers' Unions. In 1961, after the death of Joint Board President Sam Burt, Foner was elected president of the union and served in that capacity until his retirement in 1988. During his 27 years in the leadership of the Joint Board, he not only represented the union's members in contract negotiations in a union that covered workers in the fur, leather, and machine industries in the states of New York, New Jersey, Pennsylvania, Delaware, and West Virginia, but he helped involve that union in a wide range of social issues, including the struggle for civil rights, helping to mobilize other unions in opposition to the war in Vietnam and joining in the early efforts to achieve universal healthcare coverage. He also established and edited the union's newspaper, FLM Joint Board TEMPO, which, for ten successive years, won the first prize for "general excellence" in the competitions sponsored by the International Labor Press Association. In addition to his union work, Foner also served as a vice-chairman of the New York State Liberal Party, as chair of the party's Labor Committee, as a member of governor Mario Cuomo's Committee on labor practices and as a member of New York City Mayor John Lindsay's Committee of the Judiciary. After the fur industry was attacked by animal rights activists, Foner served on the board of Wildlife Legislative Fund of America and authored a weekly column, "Conservation, Legislation and You" for the trade newspaper, Fur Age Weekly.

After retiring from the union in 1988, Foner helped create the Fur Design Department at the fashion Institute of technology (FIT) and served for two years as its chair. He also taught classes in labor history at the Harry Van Arsdale School for Labor Studies, the City College Center for Worker Education and the Brooklyn College Institute for Retirees in Pursuit of Education (IRPE). He also joined the Editorial Board of Jewish Currents magazine and for three years wrote its column, "It Happened in Israel." He was vice-president of the Brooklyn Philharmonic Symphony Orchestra; treasurer (and later president) of the Paul Robeson Foundation; and a member of the Executive Committee of the New York Labor History Association, whose newsletter, Work History News, he continues to edit. In 2000, he privately published a booklet of his poems and songs, For Better or Verse. The same year, together with labor historian Rachel Bernstein and later joined by Evelyn Jones Rich, he helped found the website Labor Arts (www.laborarts.org) sponsored by the Shelley and Donald Rubin Foundation, the Robert F. Wagner Labor Archives, NYU, and 1199/SEIU's Bread and Roses cultural program.

Foner and his three brothers were all involved in issues involving labor and radical history. The twins, Philip and Jack, had distinguished careers as historians after their exit from City College in 1940-Philip at Lincoln University in Pennsylvania and Jack at Colby College in Maine. Moe was executive secretary of Local 1199 during its dramatic organizational campaigns in the hospitals of New York City and beyond and later went on to found the Bread and Roses cultural program. In the next generation, Jack's son, Eric, has distinguished himself, as a professor of history at Columbia University and Moe's daughter, Nancy, is currently a professor of sociology at Hunter College. In 1985, the four brothers received the Tom Paine award from the Emergency Civil Liberties Committee for their actions in defense of civil right and civil liberties. Fourteen years late- in 1999- they received the Distinguished Labor Communicators' Award from the Metro Labor Press Association. In 2003, Foner received a Lifetime Achievement Award from Jews for Radical and Economic Justice (JFREJ). His wife of 54 years, Lorraine Lieberman Foner, who had received a Special Baccalaureate Degree from Brooklyn College, worked as a social worker at Brookdale hospital in Brooklyn until her retirement in 1988, died of complications of a brain tumor.


The evening will be co-sponsored by Jewish Currents, the Workmen's Circle, Labor Arts, and the Bread and Roses Cultural Program of 1199/SEIU. Entrance is free, but we're asking attendees to contribute to Labor Arts.

Tuesday, May 27, 2008

If my wife calls, tell her I'm blogging down the street...

Khevre:

Just a reminder that I'm exerting most of my bloggergy (that's blogging energy) over at the Rokhl blog, the officially Rootless blog of Jewish Currents.

That's all. Just reminding, informing, nagging etc.

Friday, May 23, 2008

Mazl tov Menachem Yankl

My friend, svive comrade, and leader of Yugntrug (Youth for Yiddish) was named one of the Jewish Week's lamedvovniks- 36 under 36 young Jews to watch out for. So watch out, cuz Menachem Yankl is coming for your kids and he's teaching them Yiddish!!!

L'ag Boymer

I'm lazy, so check out my l'ag boymer post from last year. No one ever answered the extra credit questions, so, hey, if you answer them you may* get a special prize.










*or may not

Thursday, May 22, 2008

New Israeli Yiddish Orthography?

Khevre:

I need your help, especially you cunning linguists out there.

I was just loading a Moyshe Oysher CD onto my computer and noticed the spelling of his name. Ot a ponim, there are as many variations on his name in hebrew letters as in English. (And I say hebrew letters/oysyes, because I hesitate to call the following either Yiddish or Hebrew. It's some no Moyshe's land in-between...)

So, the CD says

מוישה אוישר
יידישע גולדענע לידער

Obekeybe....

In Hebrew letters, Moyshe/Moshe is spelled משה. I would try to put myself in the shoes of the Israeli package designer responsible for this CD... but it hurts my head. He or she starts out by spelling the first syllable phonetically by Yiddish orthography... except no one (well, I've never seen it) spells out the "oy". You see mem shin heh and pronounce 'Moyshe'. You're Yiddish, you know how Moyshe is pronounced.

But then the designer takes an abrupt turn away from the slippery slope of phonetic Hebrew spelling. Eeeeek. (imagine hard braking noises.) Instead of doing the at least consistent thing of ending the word with an ayin to represent the 'eh' sound (as expected with Yiddish), the guy/designer/typographer said to himself, 'eh' I'll throw in a 'heh' just to fuck with their heads. The ה swerves us right back into Hebrew, narrowly escaping the terror of orthographic consistency.

And don't think it gets any better with the second word. We start out ok, again with the 'oy' according to Yiddish phonetic rules. But again, just to fuck with us, that 'ayin' just disappears into the memory hole, with the reysh rushing up to meet that 'shin' like everything's cool here. Extra vowels? Who needs 'em????? They're for weak golus jews and literalist pussies.

And don't get me started on gooldene. Eurgh. At least that can be imagined to be some sort of misapprehension reified by lack of a dictionary. In which case, I pray this fellow gets one, and stat...

But maybe I'm wrong. Maybe this is totally legit? I'd be happy to know, one way or the other. Thank you!!

Monday, May 19, 2008

R.O.K.H.L


Robotic Operational Killing and Harm Lifeform


Get Your Cyborg Name


Who, me?

Wednesday, May 14, 2008

If a picture tells a thousand words then I'm screwed

Check out Eli Valley's new comic on Jewcy. Mazl tov, Eli, on pre-empting my entire research project on Diaspora-State of Israel relations. I hope you're happy!

Monday, May 12, 2008

I made it onto a syllabus!

This is the syllabus for Ethnomusicology 98TB: Beyond Klezmer: Music of the Radical Jewish Culture Movement. It's taught by my friend Jeff in LA. I've chatted with Jeff a number of times when he's been in NYC to do research for this thesis. Pretty sweet gig he's got, don't ya think??

He's using my Jewish Cultural Manifesto as one of the class readings. It's kinda cool, but also verrry humbling to be on the same reading list as real heroes of this field.


I'm not worthy

From Rootless Labs: Now Even Easier to Read My Rants!

Sunday, May 11, 2008

The Story of Yiddish- A Totally Unnecessary New Book by Neal Karlen

A review copy of Neal (Shanda*) Karlen's new book about Yiddish came to the Jewish Currents office. I was momentarily bummed it went to another writer, but I am thinking now that it was better... maybe even added years to my life.


Here are some excerpts from Norm Goldman's review of The Story of Yiddish:


"In writing this book, Karlen has sidestepped academic gobbledygook, and as we can appreciate, The Story of Yiddish: How a Mish-Mosh of Languages Saved the Jews is a labor of love as well as reflective scholarship evidencing a great deal of exhaustive research which at the same time is not exhausting for the reader...

As the book mentions, Yiddish was conceived as slang meant for illiterate Jewish peasants, women, children, and intellectual nincompoops...

The beauty of these chapters is that they don´t have to be read in sequence and can easily be read out of order, by pages, paragraphs, or sentences." [emphasis mine]


So, hey read it. See if I care. I'm not saying you shouldn't read it. I'm not saying your eyeballs will bleed and your heart will seize up while reading about a language conceived as slang for nincompoops. I'm also not saying I will give a fuck if your brain liquifies and runs out your ear and down your collar because nincompoops like Neal Karlen get book contracts. JUST DON'T SAY I DIDN'T WARN YOU!!!!!! And have a blessed day.


*Hey, I'm not calling him a shanda, just quoting him on himself!!! Which makes me think I should post my unpublished review of Shanda. Maybe if I had published it this abortion of a book might not have been published...

Saturday, May 10, 2008

My part in the upkeep and maintenance of the Zionist Hegemony

So, I can't really hide from this.

What do you think? Do I sound like a grouchy nut? Or an every day rootless cosmopolitan?

Friday, May 09, 2008

More on the Salute To Israel Day Parade- The Last Taboo?

So, we just celebrated Israel Independence Day/Yom Ha'Atzmaut. There's been a lot of ambivalent and conflicted discussions about how to observe it here in golus. Over on Jewschool, one of the writers, Chillul Who?, identifies three schools of thought about Y'HA: take the day to acknowledge the nakba (Palestinian exodus), take the same day to go all rah-rah, break out the blue t-shirts and unashamed nationalism, or, take that time to "waffle and prevaricate" (as Chillul Who? writes) between the first two options.

I'll tell you, I understand all three options and even how they can exist in the same person.

But I wonder if there's a fourth position, too? What if I choose not to observe an Israeli holiday? Not because I object to the existence of the State of Israel (khas v'sholem!!!) but because I reject the Zionist hegemony which insists on my golus existence as mere preface to aliyah.

Lots and lots of Jews love Israel and take this time to celebrate it, as with the Salute To Israel parade. Lots of Jews criticize Israel (and they have their own institutions and framework.)



But what about those of us for whom the State of Israel is just another node in world Jewry? Is this the last taboo, to say that Israel is perhaps not so relevant to the life of a golus yid?

For a more poetic look at this issue, take a gander here at a piece I wrote after visiting the sidelines of the Salute To Israel parade of two years ago. It's mostly about the sublime music of Jewlia Eisenberg, but moreover, it's about what we lose when Jews surrender to modern nationalism.

And here's some more photos I snapped that day. Sidelines of sidelines, if you will.

Thursday, May 08, 2008

Happy Birthday, Frank!

So, it was quite a night. First stop was our regular svive meeting. A group of about 10 of us meet once or twice a month to speak Yiddish, eat Triscuits and sing silly songs. Last night we met in Menachem Yankl's apartment and who showed up but a BBC radio crew!

It was pretty hilarious. The BBC dude is making a documentary about Yiddish. So, he wants to come to a svive where us yung 'uns are speaking Yiddish. Well, I don't think Denis actually counted on us, you know, speaking Yiddish. We chatted for a few minutes אויף ײַדיש after which he realized that what he really wanted was English about Yiddish.

Thus ensued a pretty amusing hour or so of his asking us leading questions about Yiddish and Israel and why we're so angry. (Well, half of us are angry, half of us are pretty chill, according to the amount of cultural transmission that happened in our homes.) For once forethought and planning were on my side. As the crew packed up to leave I had issues of Jewish Currents at the ready for their further "research."

Anyway, after all that talk about why we chose to speak a useless, non-functioning, dead language, Kh-R and I headed over to the birthday party of the year at Drom. Frank London pretty much is the klezmer industrial complex in New York City. If it's Jewish and Music and crazy good, well, Frank is probably involved in some way. I don't know how he does so much (clones perhaps?) but he's an inspiration. And his band is fun to ogle. Sorry!!

Here's his brass band performing last night. Yum.

I tried to get the dancers in the foreground, but it was pretty dark. But they're there.

(Cross posted to Rootless Cosmpolitan)

Thursday, May 01, 2008

Observational Roundup

A couple of things I learned recently:

*Turkey bacon is not bacon. It has no ba and it has even less con. Ersatz has a bad name for a reason. Respect.

*A surprising number of women over 30 have blankies. Go fig.

*Jews will show up early to an event, sit in the first row, and promptly fall asleep, preferably falling into the lap of the stranger next to them. They do this at all events, not just Yiddish events. I found this strangely comforting.

Wednesday, April 30, 2008

Ling Ling O"H

When I was working at my corporate job, one of the most important parts of our little cubicle world was Panda News. Anything about pandas was a code red priority, even panda hoaxes, like the guy who painted his puppies to look like panda cubs.

Anyway, I'm not in a cubicle at the moment, but I do still have to pay tribute to the passing of Ling Ling, a giant panda who lived at a zoo in Japan.



As one commenter on TMZ put it, at 70 in panda years, Ling Ling was still younger than John McCain. ZING!!!

Monday, April 28, 2008

Memes of the Yiddish Atlantis part 7

"When was secular Jewish culture born in the United States? The short answer: later than most people think. While the seeds of secular Jewish culture were sown on the Lower East Side of New York at the turn of the 20th century, Yiddish culture, in addition to being sealed off from the rest of American society, was essentially backward-looking. Built on nostalgia for the Old Country and its ways, it never freed itself from its European past."

So opens Ted Merwin's piece on Jbooks called 'Jewish, Secular and Popular' In just one paragraph we see a nice illustration of a couple of my most popular memes related to Yiddish and Yiddish culture:

*Yiddish is and was monolithic. It was all the same and we don't have to bother learning about it in order to judge it.

*Yiddish in America was never more than a nostalgiac remnant of life in the 'Old Country.

*Yiddish culture in America never engaged with American life or the larger Jewish American experience.

*Yiddish culture was created, and consumed, solely on the 'Lower East Side'. It was born there and it died there.

For Ted Merwin's edification, I'd like to recommend a wonderful new book called Recovering Yiddishland: Threshold Moments in American Literature. I really feel like if you're going to make sweeping statements about an entire culture and time period, you should go on a little more than a gut feeling. Although somehow, when writing about Yiddish, gut feelings and conjecture seem to be totally legitimate, and even rewarded. I'm still trying to work that one out.

Anyway, Merwin should pick up a copy of Recovering Yiddishland, by Merle Bachman. The book is an exploration of American Yiddish literature between 1880 and 1930. Bachman devotes a whole chapter, for example, to Yiddish poems dealing with the African American experience, especially lynchings. Since the majority of these lynchings took place in the South (and many were personally reported on by Yiddish writers on the scene) I don't really see how one could, in good conscience, make the claim that Yiddish writers were "sealed off from the rest of American society." For example.

Another chapter is devoted to Mikhl Likht and the Inzikhistn poets and their confrontation with modernist poetry, such as that of TS Eliot and Ezra Pound. Unless Eliot and Pound were actually from Poland, I'm not sure it would be accurate to say that American Yiddish culture was "Built on nostalgia for the Old Country and its ways..."

I know, I know, this is merely a 50 year period encompassing thousands of Yiddish poems (many of which are still untranslated.) This hardly disproves such thoughtful and nuanced thinking that we see in Merwin's piece. Or does it??????

I'd go on to critique the rest of the piece, about the development of Jewish secular culture, except, to be honest, the author has already lost his credibility with me. Sorry Ted, I haven't got time for the pain.

Thursday, April 24, 2008

Fuzzy!!!

You must watch these teeeeny lion cubs. Or maybe not, if you're terrified by leetle fuzzy lions who can't even eat meat yet and make little squeeky noises.



They're furr-ocious